Category Archives: personal

Angel (NSFW)


Been busy with commercial work in the second half of last year and got a bit frustrated at a lack of personal projects being ready to go. Especially over the Christmas holiday with so much free time. So I decided to do a few more in my nudes series as it’s so quick to put together and still a highly creative process. I planned a shoot with a model who shall remain nameless, who decided to bow out late the night before. Then totally by chance another model announced she was free, in Edinburgh the next day and would I like to shoot? Curious that her model name is ‘Angel’.

I had always planned to try out more experiments with projecting images. It’s tricky as even with a fancy powerful projector the light level is remarkably low requiring high iso and wide aperture, not the usual favourite of photographers unless you’re looking for that. Regardless I like the results and will continue the series some more. I’d love to be able to use flash with projected images but I’ve never heard of a system that allows it. Anyone?

Nude B+W woman with projected dots in the studio

Nude B+W woman with projected dots in the studio

nude woman in studio with projector light

nude woman in studio with projector light

nude woman in studio with projector light

nude woman in studio with projector light

nude woman in studio with projector light casting stipes

nude woman in studio with projector light casting stipes

nude woman lit with a lightening stripe projector in a studio. Black and white art nude

nude woman lit with a lightening stripe projector in a studio. Black and white art nude


So I’ve been shooting an ongoing project for several months. A lovely commission to shoot many award winning apprentices for Skills Development Scotland. This recently involved a road trip up to Inverness then onto Aberdeen and then a hop over to Shetland. I’m not long back and can’t yet share any of the images from that shoot as the campaign isn’t up and running yet. However, I did manage to have a few hours spare at the end of the Shetland shoot before flying home.  I asked some locals where the most dramatic bit of coastline was within an hours drive. They pointed me in the direction of Eshaness in the north so thats where I headed with my camera.

I realise now I never quite arrived there, after 50 minutes of driving across a beautiful barren landscape of deserted homes and sporadic colourful villages I turned a corner and found the bay overlooking Hillswick from Urafirth. It was so beautiful and dramatic looking into the light that I was happy to stop there, get out and explore. To be honest I didn’t at the time know if this was Eshaness or not, what with no mobile reception and scant road signs. With the wild remoteness of it all it seemed fitting not to know quite where I was.

I wandered down past a abandoned house complete with a very creepy pair of children shoes left at the end of the road, like something out of an Edgar Allen Poe story. I wondered if it was something thats done to mark an abandoned home, then realised I was being too dramatic and it was probably just a forgotten pair of shoes. Spooky and poignant all the same.

I walked along the clifftops for an hour or so with a wild wind forcing foam and rain up the wall of the cliff into my face and lens, then the clouds would part and it would be perfect sunshine for a minute before returning to a torrent of rain again, then back to sun again, over and over. I found my eyes constantly being drawn to the Jagged rocks breaking the surface of the sea in the distance, the light changing the same view dramatically every few minutes.

I had a two hour drive back to Sumburgh for my flight and managed to check my bags,  just allowing time to take the hire car down to visit the coastline by the monumental lighthouse nearby. Despite being the most notable spots to visit I saw not another soul out walking,  the only tourist about I was aware of was me.

Definitely have to go back and spend more time exploring. It’s bleak and barren quality is weirdly compelling and Lerwick has some beautiful wee corners. The whole island is a photographers dream.

Looking across to Hillswick from Urafirth

Looking across to Hillswick from Urafirth

Lerwick. Like it's a perfect Scottish town film set!

Lerwick. Like it’s a perfect Scottish town film set! The locals really do wear fair isle jumpers and sport enormous non hipster beards.

To enter or exit Sumburgh airport you have to drive over the runway!


Sumburgh lighthouse at the extreme south of Shetland.


looking west from Sumburgh in the last light.

The rather creepy childs shoes.

The rather creepy childs shoes i found in the long grass.


Here be monsters.

Lots of lonely isolated houses, many unoccupied.

Lots of lonely isolated houses dot the landscape, many unoccupied.


I just added a few of my remaining Shadow double exposure portraits to my website so I just thought Id mention it on my blog. I haven’t really done more work on this in quite a while but there are a few that haven’t been added to the site and every now and then I think of an idea and will often return to the basic portraits and try to combine them with something different. That produced the shot of Anaa-Lena with the feather Head dress. I  felt it suited a much more muted tone too, sometimes I feel my images are too literal and I just can’t stop experimenting. I know that can mean it’s hard to maintain a single consistent style but for me that comes second to the pure creative process. If it feels right to me it goes in.

See the whole series on the website here

Prints of many are available on Artfinder or contact me by email

Double exposure female nude of Anna Lena with feather head dress

Double exposure female nude of Anna Lena with feather head dress

nude double exposure of a woman with branches

nude double exposure of a woman with branches

nude girld double exposure with building

nude girld double exposure with building

double exposure nude of a woman with fabric

double exposure nude of a woman with fabric

double exposure nude of a woman with a metal structure

double exposure nude of a woman with a metal structure

Ben Turner

I took shots for the Lyceum Theatre’s production of the Iliad a while back and Ben asked if I’d take a few shots of him when I had time and he was still up here. We managed to squeeze in a quick session at the end of the run of the play. I knew he’d be a good subject after our rushed poster shoot, he’s an intense person and thats how I like them!

I shot him with dramatic lighting and a harsh process, rather in a similar style to the great Anton Corbin. It gives a Lith printing feel to the shots.

_RY_0126 _RY_0250 _RY_9922


Roarie Yum

I was recently contacted by Roarie, a free spirited world wandering model and creative muse. She would be in the UK and did I want to work with her? She herself picks the people she wants to work with and her motivation is first and foremost the creative process and will readily turn down a photographer if she isn’t inspired by their work. I’ve never worked with a model quite like her before but loved the edgy energy she brought to the shoot. She’s constantly on the move and is full of ideas and where I find I’m often trying to create a certain edge in images, with Roarie it was more like trying to contain her intensity.

I’m all too aware that shooting nudes can be a bit of a cliche but the process of working on this theme has been one of the most creatively satisfying projects I’ve worked on. I love that there’s nothing to clutter the image, just form and light, it feels like when I used to do life drawing with a huge piece of charcoal and work really fast. I love the speed and freedom. No clients, no brief, just pure creativity and beauty.

Prints for sale on Artfinder or direct.

Roarie Yum seated nude with stripes projected on her naked body

Roarie Yum seated nude with stripes projected on her naked body

Roarie Yum holding up a hare mask. Spotlight in the dark

Roarie Yum holding up a hare mask. Spotlight in the dark

Nude - Roarie V Roarie VI Nude - Roarie IIX Nude - Roarie x Nude - Roarie XI

Roarie Yum, seated nude woman in a studio. spotlit by a low light.

Roarie Yum, seated nude woman in a studio. spotlit by a low light.


I had the pleasure of shooting a wonderful Glasgow based model, the eclectic Miranda. Amount other things she’s a fine art student and a life model.  This really helps me when I’m exploring slightly offbeat themes. She was as enthusiastic as me about what we were trying to achieve and brought her own form of creativity to the shoot. I thought she had the perfect expression to capture that certain mythical, feral look I had imagined. To be honest I based the shoot on her look. I’m hoping we can shoot together more in the future.

nude female model as mythical god cerynitis with the shadow of antlers

nude female model as mythical god cerynitis with the shadow of antlers

nude female model as mythical god cerynitis with the shadow of antlers

nude female model as mythical god cerynitis with the shadow of antlers

nude female model as mythical god cerynitis with the shadow of antlers

nude female model as mythical god cerynitis with the shadow of antlers

nude female model as mythical god cerynitis with antlers

nude female model as mythical god cerynitis with antlers

Conemen ride again

Yay! Just opening tonight, (12th March 2016) is the New York Times Art for Tomorrow conference being held in Doha Qatar. Louise Hunter from Summerhouse media was kind enough to invite me to exhibit there alongside some world class artists. All the framed prints were collected the other day and shipped out.

I’m showing five of my Conemen images as well as The Watchers (from Mythoslogos). Sad not being able to attend but hope the work is well received.01The-Watchers-Laurence-Winram- 02Conemen I-Laurence-Winram- 03Conemen IV-Laurence-Winram- 04Conemen III-Laurence-Winram- 05Conemen-Dragons-III-Laurence-Winram- 06Conemen-Dragons-II-Laurence-Winram-



From a recent shoot in the studio. Still trying to explore nude photography. It’s hard not to repeat yourself and you need to be very organised in advance with what you want to do otherwise it’s easy to waste the time you have with a model.

I especially like the effect of the tilt shift lens, it lends a slightly more impressionistic slant to the shots.

Some of the images are for sale on Artfinder

nude girl standing with a black fabric like mask over half of her

Emma VI

nude girl crouching B+W

Emma I

headed naked girl

Emma IV

naked girls back

Emma V

Ayla Rose Nudes

Ayla Rose – Nudes

I have been shooting a few more nudes recently on the back of my Shadow project. Ayla Rose is the first professional nude model I’ve photographed. The shoot worked out very well, it made a real difference having a model who was so familiar with the process and who was so professional. I love the opportunity to be completely free with form and light. I’ve always felt more in tune with painters than most photographers and I feel photographing nudes for me is about as close as you can get to painting.

BLUE7871-beautiful-nude-girl-Ayla-RoseBLUE7670-beautiful-nude-girl-Ayla-Rose BLUE7707-beautiful-nude-girl-Ayla-Rose BLUE7582-beautiful-nude-girl-Ayla-Rose BLUE7491-beautiful-nude-girl-Ayla-Rose



So Nikita is a model I shot for a client of mine the other day. She was very into doing some personal photos and came to the studio for a session. We spent ages messing about with double exposure, fabric, feathers, the lot! I love experimenting, especially when the subjects are into it. Shot a few of these on my new 85mm tilt-shift lens which I totally love. The crow was shot with daylight alone, a nice change for me. Nikita and the crow is for sale as a signed edition print on Artfinder

The double exposure image, Nikita II will be added to my Shadow series. It’s also on Artfinder

Nikita and the crowNikita II

Double exposure prints for sale

So I just added this image, ‘Mihaela I’ and a few others for the time being to the Art Finder website. It’s available for sale as a signed edition of 30. They have been selling at the exhibition in Aberdeen Royal Infirmary but an online gallery is good to offer this to a wider audience. This one out of all the images in the exhibition seems to be the favourite. I’ll post a few others that may not have been seen. Check out the Artfinder site here. I’ll be adding to that gallery a lot more.Mihaela I

it’s all in the stars….

Filmed this in the grounds of Menzies Castle by Aberfeldy in Perthshire. 13th August 2015
The sound you hear I recorded on my phone at the time I was shooting. I thought it was a deer but I’m not sure. Any thoughts?
It was wonderfully spooky, especially with the mist rolling in. The traces you see are satellites. The occasional flashes are the meteors.

Shot as single frames on a Canon 5D Mk III then put together in Final Cut pro X


Having a look at a few more from our shoot the other day. I don’t seem to remember her having horns at the time. I think they suit the low lighting.


a nude girl crouches in a dark studio with animal horns

The Dorcas Creed

My good friend Matt Armstrong came by the studio with his new  partner Helena the other day and this happened! Fortunately Matt and Helena are broad minded and creative people who embraced the notion of a portrait like this. I stretched invisible head across the set passing it through the middle of a single candle. I didn’t foresee the image being exactly like this but when Matt held the horns in front of the candle it became clear what would work. I can’t decide if Matt looks just like Gilbert of Gilbert and George fame, or is it Philip Larkin? Regardless I think they look suitably bohemian and members of a group of whom’s creed it would be ne’er impossible to fathom. The style of the shot I thought was reminiscent of Man Ray. I’ve always loved that period of surrealists and Dadaist art.

In an earlier incarnation Matt was a member if the most excellent Kaisers and is always dressed immaculately in threads of a vintage no later than 1974.BLUE3493-2-candle-lit-portrait-with-horns


Recently I’m becoming aware just how much a sitter brings to a shoot. If someone is happy to sit for me then I’m happy. But I’ve found that when they share something of a similar artistic nature it adds so much more to the image. I suppose that would seems obvious to most but for whatever reason I’m now becoming much more aware of it.

Sophie is an illustrator and her artwork has a pretty dark feel with a heavy dose of weird, so she was well in tune with how I see things. She didn’t have to have to play a part in our shoot, her strength of character loomed large the whole time, in fact I’d say it dominated the shoot. I did intend to use some of these for my double exposure series but it soon became clear that there would be way too much going on to add anything else to her images.  I wish all my sitters brought this much to a shoot!

Prints of these and others available direct from me or on the Saatchi website. Once again, any women happy to pose do get in touch.

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Tara – Amazing shoot with Tara the other day. She was very clear about how she wished to be portrayed, in a strong and confident way. We had all kinds of ideas, some more impractical than others but when she turned up with this sheep skull I knew it would make for a powerful image. I also liked the more traditional seated pose. It’s not as dramatic but I think it still shows her strength of character. As ever, any other women who are interested in posing for this series please do get in touch.



Michael Wildman – Had the pleasure of shooting my friend Michael today. I first met him several years ago in the Cameo bar. I liked his hat and asked him if he and his partner would like to come down to the studio, the rest is history.

I’ve been looking to expanding my experience with portraiture and also wanted to see if I could produce images of him that lent themselves to my double exposure technique. I ended up not doing much with that as Michael has such a strong presence I didn’t feel anything other than straight images were what the moment suited. Michael is a fine art photographer himself with a strong sense of what constitutes a worthy image. This to me is a bit of a double edged sword that brings a lot of intensity to the moment but can feel intimidating too. As it turned out by the end of the shoot the direction of the images left both of us with smiles on our faces.

Such is Michaels presence I thought I’d shoot just the one wide view, those eyes seem to fill the shot! And of course this image might satisfy some of those lighting geeks curiosity. I’ll post a couple of the favourite ones later.


Mihaela III – Double exposure nude

Another version of these double exposure images. I love working on these, I’m learning a lot about what works and what doesn’t. It’s amazing how the mood and feel of an image changes so much on the tiniest of changes. Once again, if you want to model for these do get in touch.BLUE8616-double-exposure-nude-of-a-beautiful-girl



Another for the Shadow series. Signed prints for sale on Artfinder. When I was out shooting the background bushes image I had some guy come up to me asking why I’m shooting ‘dead trees’. I did explain how it would be used but his face never gave that look of understanding of what the hell I was on about. I just have to live with it that someone out there thinks I shoot dead tress for fun. I just should have said I was a twitcher, is that less weird?

Mihaela as Cerynitis

Amazing shoot in the studio the other day with my photographer friend Mihaela. We had no plan to shoot anything like this but I think that makes it all the more rewarding when you get a worthwhile result. I love working with arty people, they get what you are trying to do and add to it. She was the one who suggested using the antlers. I love how her neck almost forms a deer skull. #antlers Always looking for new models to work with, do get in touch.



Nude Study I

I shot this quite a while back but never really looked at it. I think I like it more now. I find the majority of nude photography just a bit dull. I like playing with the shapes and turning the body into a bit of abstract form, largely inspired by the amazing nudes done by Irving Penn.


Naval Gazer – Fraser in sailor mode

Fraser’s a friend of mine who worked for many years as an officer in the merchant navy aboard some of the world’s biggest tankers. He took his sextant into the studio and tried to explain to myself and my assistant Greg how to use it. I think we nodded and frowned at the right moments and I liked the bit about the moon and stars but frankly he lost me at azimuth.

I’ve had this sailor outfit for a while and figured Fraser was the right man to don it. This isn’t for a specific project but just for the sheer joy of creating an image.