I took shots for the Lyceum Theatre’s production of the Iliad a while back and Ben asked if I’d take a few shots of him when I had time and he was still up here. We managed to squeeze in a quick session at the end of the run of the play. I knew he’d be a good subject after our rushed poster shoot, he’s an intense person and thats how I like them!
I shot him with dramatic lighting and a harsh process, rather in a similar style to the great Anton Corbin. It gives a Lith printing feel to the shots.
I recently shot these images for The Royal Lyceum Theatre in Edinburgh’s production of Homers The Iliad. It’s Mark Thomson’s Final show as artistic director there and quite the epic to end on.
Right from the start I pictured a form of multiple exposures to show the main characters in not overly dramatic poses but also showing the chaos they create by the use of blood. I could see it in my mind but I couldn’t show it to the client in advance. Fortunately, Ben Jeffries, Director of Communications at the theatre, was trusting enough to let me try this approach. This is hugely appreciated! It highlighted to me the lack of faith I feel there can be in photographers abilities to bring their own vision to bear on a creative project that all too often can be entirely art directed in advance of any communication with the photographer themselves. There are times I feel it would be more appropriate to don a white lab coat in the exercise of ‘now copy this,’ style of uncreative art direction. The best course is a balance, bringing the ideas of the art director at the early stages of a project to the photographer to see how their creativity together can help create something greater than the sum of the parts. Often a final photograph is the best idea of a non photographer. I wouldn’t dream of telling a designer how to layout their page, it’s not my speciality. So why does it happen the other way around!