Double exposure prints for sale
So I just added this image, ‘Mihaela I’ and a few others for the time being to the Art Finder website. It’s available for sale as a signed edition of 30. They have been selling at the exhibition in Aberdeen Royal Infirmary but an online gallery is good to offer this to a wider audience. This one out of all the images in the exhibition seems to be the favourite. I’ll post a few others that may not have been seen. Check out the Artfinder site here. I’ll be adding to that gallery a lot more.
Michael Wildman – Had the pleasure of shooting my friend Michael today. I first met him several years ago in the Cameo bar. I liked his hat and asked him if he and his partner would like to come down to the studio, the rest is history.
I’ve been looking to expanding my experience with portraiture and also wanted to see if I could produce images of him that lent themselves to my double exposure technique. I ended up not doing much with that as Michael has such a strong presence I didn’t feel anything other than straight images were what the moment suited. Michael is a fine art photographer himself with a strong sense of what constitutes a worthy image. This to me is a bit of a double edged sword that brings a lot of intensity to the moment but can feel intimidating too. As it turned out by the end of the shoot the direction of the images left both of us with smiles on our faces.
Such is Michaels presence I thought I’d shoot just the one wide view, those eyes seem to fill the shot! And of course this image might satisfy some of those lighting geeks curiosity. I’ll post a couple of the favourite ones later.
Ruby – another shot for my Shadow silhouette series
The Hare II
This was a shoot from my time up in the North East of Scotland. A beautiful morning spent at the decidedly creepy disused Lido in Banff. The weather was spectacular and the location lent itself perfectly to the mood I was looking to create in the shots. These are part of my ongoing Mythologos project. The mask itself came from a tiny craftsman’s cellar workshop in a beautiful village in Tuscanny. I liked that the man I bought it from didn’t speak a word of English. There was much waving of hands.
I liked that the location reflected my interest in things we have left behind. The arrival of cheap flights to ‘The Continent’ cast the death knell of this lido and countless others like it. As a child I spent summers playing in the waters along the coast at Findhorn. With the gulf steam curling round to this unlikely coast the water was surprisingly bearable. Still, the Mediterranean it is not.