Been busy with commercial work in the second half of last year and got a bit frustrated at a lack of personal projects being ready to go. Especially over the Christmas holiday with so much free time. So I decided to do a few more in my nudes series as it’s so quick to put together and still a highly creative process. I planned a shoot with a model who shall remain nameless, who decided to bow out late the night before. Then totally by chance another model announced she was free, in Edinburgh the next day and would I like to shoot? Curious that her model name is ‘Angel’.
I had always planned to try out more experiments with projecting images. It’s tricky as even with a fancy powerful projector the light level is remarkably low requiring high iso and wide aperture, not the usual favourite of photographers unless you’re looking for that. Regardless I like the results and will continue the series some more. I’d love to be able to use flash with projected images but I’ve never heard of a system that allows it. Anyone?
I just added a few of my remaining Shadow double exposure portraits to my website so I just thought Id mention it on my blog. I haven’t really done more work on this in quite a while but there are a few that haven’t been added to the site and every now and then I think of an idea and will often return to the basic portraits and try to combine them with something different. That produced the shot of Anaa-Lena with the feather Head dress. I felt it suited a much more muted tone too, sometimes I feel my images are too literal and I just can’t stop experimenting. I know that can mean it’s hard to maintain a single consistent style but for me that comes second to the pure creative process. If it feels right to me it goes in.
See the whole series on the website here http://commercial.lwinram.com/personal-projects/shadow/BLUE8854-3-Mihaela-as-Cerynitis/
Prints of many are available on Artfinder or contact me by email
I was recently contacted by Roarie, a free spirited world wandering model and creative muse. She would be in the UK and did I want to work with her? She herself picks the people she wants to work with and her motivation is first and foremost the creative process and will readily turn down a photographer if she isn’t inspired by their work. I’ve never worked with a model quite like her before but loved the edgy energy she brought to the shoot. She’s constantly on the move and is full of ideas and where I find I’m often trying to create a certain edge in images, with Roarie it was more like trying to contain her intensity.
I’m all too aware that shooting nudes can be a bit of a cliche but the process of working on this theme has been one of the most creatively satisfying projects I’ve worked on. I love that there’s nothing to clutter the image, just form and light, it feels like when I used to do life drawing with a huge piece of charcoal and work really fast. I love the speed and freedom. No clients, no brief, just pure creativity and beauty.
I had the pleasure of shooting a wonderful Glasgow based model, the eclectic Miranda. Amount other things she’s a fine art student and a life model. This really helps me when I’m exploring slightly offbeat themes. She was as enthusiastic as me about what we were trying to achieve and brought her own form of creativity to the shoot. I thought she had the perfect expression to capture that certain mythical, feral look I had imagined. To be honest I based the shoot on her look. I’m hoping we can shoot together more in the future.
I have been shooting a few more nudes recently on the back of my Shadow project. Ayla Rose is the first professional nude model I’ve photographed. The shoot worked out very well, it made a real difference having a model who was so familiar with the process and who was so professional. I love the opportunity to be completely free with form and light. I’ve always felt more in tune with painters than most photographers and I feel photographing nudes for me is about as close as you can get to painting.
So Nikita is a model I shot for a client of mine the other day. She was very into doing some personal photos and came to the studio for a session. We spent ages messing about with double exposure, fabric, feathers, the lot! I love experimenting, especially when the subjects are into it. Shot a few of these on my new 85mm tilt-shift lens which I totally love. The crow was shot with daylight alone, a nice change for me. Nikita and the crow is for sale as a signed edition print on Artfinder
The double exposure image, Nikita II will be added to my Shadow series. It’s also on Artfinder
So I just added this image, ‘Mihaela I’ and a few others for the time being to the Art Finder website. It’s available for sale as a signed edition of 30. They have been selling at the exhibition in Aberdeen Royal Infirmary but an online gallery is good to offer this to a wider audience. This one out of all the images in the exhibition seems to be the favourite. I’ll post a few others that may not have been seen. Check out the Artfinder site here. I’ll be adding to that gallery a lot more.
I have been asked to exhibit some of my work at Aberdeen Royal Infirmary in July. I am intending to show the images from my recent Shadow series, mostly double exposure nudes. To that end I’ve been shooting for this in my free time. It’s a lot of fun playing with ideas and creating just the feel I want. A lot of the images have been of Sophie who originally modelled for me in commercial projects a few times. I didn’t realise at the time but she was the perfect model for this series as she has worked as a life model in the past and is an artist so understands the creative process perfectly. That makes a huge difference when you’re working on something personal as it often involves a fair degree of searching around to find the right direction.
Two of these have been shot on my home-made tilt shift lens, I love it’s etherial quality. The double exposures are easy to produce but very hard to get just right.
Anyone women interested in modelling for the series please email me on firstname.lastname@example.org
Recently I’m becoming aware just how much a sitter brings to a shoot. If someone is happy to sit for me then I’m happy. But I’ve found that when they share something of a similar artistic nature it adds so much more to the image. I suppose that would seems obvious to most but for whatever reason I’m now becoming much more aware of it.
Sophie is an illustrator and her artwork has a pretty dark feel with a heavy dose of weird, so she was well in tune with how I see things. She didn’t have to have to play a part in our shoot, her strength of character loomed large the whole time, in fact I’d say it dominated the shoot. I did intend to use some of these for my double exposure series but it soon became clear that there would be way too much going on to add anything else to her images. I wish all my sitters brought this much to a shoot!
Prints of these and others available direct from me or on the Saatchi website. Once again, any women happy to pose do get in touch.
Tara – Amazing shoot with Tara the other day. She was very clear about how she wished to be portrayed, in a strong and confident way. We had all kinds of ideas, some more impractical than others but when she turned up with this sheep skull I knew it would make for a powerful image. I also liked the more traditional seated pose. It’s not as dramatic but I think it still shows her strength of character. As ever, any other women who are interested in posing for this series please do get in touch.
Another version of these double exposure images. I love working on these, I’m learning a lot about what works and what doesn’t. It’s amazing how the mood and feel of an image changes so much on the tiniest of changes. Once again, if you want to model for these do get in touch.
Another for the Shadow series. Signed prints for sale on Artfinder. When I was out shooting the background bushes image I had some guy come up to me asking why I’m shooting ‘dead trees’. I did explain how it would be used but his face never gave that look of understanding of what the hell I was on about. I just have to live with it that someone out there thinks I shoot dead tress for fun. I just should have said I was a twitcher, is that less weird?
Amazing shoot in the studio the other day with my photographer friend Mihaela. We had no plan to shoot anything like this but I think that makes it all the more rewarding when you get a worthwhile result. I love working with arty people, they get what you are trying to do and add to it. She was the one who suggested using the antlers. I love how her neck almost forms a deer skull. #antlers Always looking for new models to work with, do get in touch.
I shot this quite a while back but never really looked at it. I think I like it more now. I find the majority of nude photography just a bit dull. I like playing with the shapes and turning the body into a bit of abstract form, largely inspired by the amazing nudes done by Irving Penn.